A CGI package costs four to five figures and produces thirty finished visuals. They run for one launch campaign, then sit on a drive — while the same client asks for social content every week.
The assets are already there. They just don't move.
Four still images from one project folder. No new render, no new camera, no new budget — one ten-second cut and three vertical clips, ready to post.
Mallinger Höfe is a fictional project, produced in-house as a demonstration. No such development exists.
Delivered 1080×1920 · 9:16 for Reels, TikTok and Shorts · 1:1 and 16:9 on request. Hover or tap a frame to play it.
Renderings, photography, drawings. A link is enough.
Which frames carry motion, and which stay still.
Generated, checked frame by frame, cut, graded.
Finished files, published under your name.
Most AI video quietly bends walls and drifts window mullions. On a building you are actually selling, that is not a style choice — it is a misrepresentation your client signs off on. Anything that deforms the architecture gets cut.
Which frame carries a slow push and which one dies on screen. When a still is stronger than a move. That comes from working in architecture, not from a preset menu.
No new tool, no subscription, no learning curve, nobody to babysit it. You send a folder and receive finished files.
White-label by default. Your client never needs to know a production partner exists, and we never approach them.
Own concept studies — not client work. They are here because the same standard applies: across an urban perimeter block and a cantilever above a mountain lake, every generated frame either holds its geometry or gets thrown away.
— Julian Hufner, Spatial Interface. One studio, not a team: the renderings, the motion pipeline and this page itself, built and produced in-house.



No call, no deck, no commitment. Pick a visual from a project you have already delivered — we animate it and send it back within 48 hours on business days, usually.